DECEMBER ZUIHITSU

DECEMBER ZUIHITSU


It is easier to awaken in the dark of winter. The body opens slowly, warms slowly with Qi Gong practice, with hot coffee. The summer body is restless, quick, easily exhausted.

Why must my study be the coldest room in the house? From the windows I watch bare ash trees and brushy hemlock trees moving slightly in the North wind, dark against a silver sky. Sometimes a feeling of desperation. The weather, the news. The way my hips still hurt.

Driving into town we pass a herd of young horses racing across a frosty pasture. We agree that it must be a wonderful thing to be a young horse on a cold morning.

On weekends, the woman who calls herself The Lady From the Gravel Company sells Christmas trees for her son who is out West hunting deer. She hopes he doesn’t get one, she told me, because already she has two deer and a bear in her freezer.

The dog wants to eat her scraps on the living room carpet. The old cat wants the young cat’s food. The young cat wants the old cat’s food. My husband wants cooked chicken thighs. I want Rasta Pasta. At supper, I find the jalapeño pepper that had disappeared into the stew. Water does not put out that kind of fire.

Strange bedside fellows:  Neil Gaiman and Barbara Pym. I expect she could write about him: a mysterious man with tousled hair, much admired by excellent women. I cannot imagine what he could write about her.

The dog must go out in the dark again to see if the fiend who hides under the steps is still hiding under the steps and to see if every deer track down the driveway was made by the same deer. I must go out with her to see the moon and to listen for the owl who sits in the oak tree behind the house.



OPEN STUDIO POEM #18

OPEN STUDIO POEM #18

 

 

aplomb

solid

chrysanthemum

collage

secluded

 

Under snow, under solid ground,

earth knits a fabric of mycelium,

bulb, the roots of chrysanthemum

and rose.  The February landscape

shapes a shifting collage

of branch and cloud,

a splash of of jay-blue.

We stay secluded, painting

our lives with aplomb.

COMING TOWARD HOME

COMING TOWARD HOME

 

I want to love things all by myself,

not looking sidelong to see

if others are loving them, too:

the sky like old blue glass held in by a tracery of trees,

the great horned owl’s cynical question–

Who’s awake?

the falling cold stars of snow.

 

One night I snowshoed in the woods alone,

the full moon lamplight gleaming

through the lace of soft snow clouds.

Coming toward home I saw in the frame of an uncurtained window

the painting of a summer orchard

above my piano against the green wall,

my husband moving across the kitchen with his teacup.

I thought I would break for joy.

 

This is an old one. It was published in Calyx, in September, 2000

Winter Prompt #11: Spells

SPELLS

Winter Prompt #11

1.

Great spider, untangle

the threads you’ve spun.

Turn to dust the husks of bees

and flies sucked dry.

Bits of leaf and fur let fall

and in the dark a new web weave

so in the dawn’s light

we may see the shining shape

of all set free.

2.

Audmula lick us from the ice,

Skadi, hunt up the sun,

free us from this Niflheim.

Bragi, loosen my tongue.

OLD MAN WINTER

Old man Winter, that Old Man Winter,
He don’t need nothing; he must want something.
He just keeps blowing, he keeps on snowing along.

He don’t wear sweaters, he don’t wear longjohns,
And them what wears them will soon be bygones,
He just keeps blowing, he keeps on snowing along.

You and me, we shovel and strain,
Backs all aching and wracked with pain:
Clear that walk!  Chop that ice!
Vermont Life makes the winter look nice.

I get weary, and sick of freezing,
I’m tired of sniffling, and tired of sneezing,
But Old Man Winter, he just keeps blowing along.