Category Archives: The More than Human World

Words again: a Story

tunnel

make 

gasp

pound

wave

turkey

blow

haze

 

A STORY

Our grandchildren found a baby bird 

in the driveway. 

What is it?

Where is its Mommy? 

 

In this hazy time 

when every little sorrow strikes a blow,

when the news pummels and pounds,

what is Daddy to do with this scrap of life

gasping in his hand?

 

The mouth of the dark tunnel

has narrowed again.

So many mommies, daddies,

so many lost, so much is lost,

and what sense can we make?

I used to tell myself I was a poet.

 

It’s a little turkey. 

Let’s put it in the long grass by the brook

where sometimes we see them pass. 

We’ll put some corn around for them to find.

Now wave bye-bye.

One way or another, this will resolve.

 

We saw them the next day

he told me. A parade.

Two hens with six poults

and a tom and a hen with one poult

scurrying between them.

The kids agreed that it all worked out fine.

 

We can tell ourselves stories, can’t we?

They all lived happily. . . 

Can’t we tell ourselves stories like that? 

Perspective

PERSPECTIVE

Oak and Ash and Birch breathe their gold.

It sifts through their twigs and branches 

over our cars and lawn furniture.

Oaks and ashes and birches think

life is worth continuing. They want

to make acorns and winged seeds

and tiny cones. They want to make

food for turkeys and squirrels and jays.

If they told you the Council of Trees

had decided to fill this year with abundance,

if they told you they had decided

this was a good year to cover the wounded

Earth with their love, to spread their gold;

if they told you that you, too, could participate,

wouldn’t you say Yes? And here you are!

Every sneeze, every dribble, every gasp,

they tell you, is a price you can pay.

OPEN STUDIO POEM #15

OPEN STUDIO POEM #15

leaves

haven

susurration

possibility

 

When the days lengthen,

the cold strengthens

but the light too grows strong—

apricity on a frozen day.

 

Last fall the young oak kept

its leaves. It stood, susurrating

in the shadow of its mother,

collected light feeding the roots.

 

We live these days

in a haven of possibility.

THE HAWK

THE HAWK

Every day I walk with the yellow dog who understands human language but can not yet speak. Every day, or nearly every day, we saw the hawk in the dead elm trees between the hay fields or on the power line. In early spring, two hawks circled the fields. In late summer, one young hawk called hunger from the elms while one adult watched from the wire. The dog was disturbed by the hawk’s wheeling or calling, and she raised the orange ridge on her back and growled and barked. And in November, when the hay in the fields was cut short and the living oaks and the dead elms stood as outlines against the sky, on a November morning when the yellow dog and I walked down the road with the mountains on the east and the hills on the west, I found the hawk on the ground, beneath the wire, not far from the elms. The hawk’s red tail was spread, the dark and speckled wings were folded, claws curled, the sharp eyes flat, the neck broken. What shall we do? I cried, and the yellow dog answered. —Carry the hawk to the row of elms and lay it down there. And weep awhile, and I will weep with you. But only for awhile, for you shall see.— So I lifted the hawk and carried it close to my heart and I walked with the dog to where the grasses and goldenrod stalks grew tall under the trees. And there I placed the hawk. And the dog said —Good—. And for awhile we wept. And that night, the hawk came to me while I slept. Her red tail was spread acorss the Earth and her wings opened east and west as far as I could see. Her great head touched the sun. And she spoke. —You see, she said, who I am. Now you see. Your eyes open to my flight, your ears open to my cry, your heart open to my life.— And with a shout the hawk rose up, then up, beyond the sun. And when I woke, the yellow dog was curled beside me and looked at me through her brown eyes, and said —Yes. That’s how it is.—

MATTER: A Pantoum

MATTER: A Pantoum

What gods do is make and let the pieces fall.

Billions of clocks on billions of beaches

turning as our hands move however they

move or our four legs or six or eight.

 

Billions of eyes in billions of deserts

move through their times or none and 

we move our two legs or four or six or eight and

our hearts and chloroplasts, mycelium,

 

our many eyes or none.

Our structures crystalize, the plates

and hearts and chloroplasts and mycelium

subduct and bump as we rise and fall.

 

The structure of our crystals, how the plates 

and all we do is an echo of clapping hands as we

subduct and bump and rise and fall.

With voices, silences, wavings of branches

 

we echo with our hands 

and twigs and whatever anemones use

for voices: silences? wavings of branches?

We’re all made of one matter.

 

Twigs and anemones

turn while our hands move however they

move because we’re all the matter

and making matter and falling is what we do.

REPORT: OCTOBER 20, 2020

REPORT:  OCTOBER 20, 2020

Dark clouds over Buck Mountain. 

It will rain.

More sugar-maple leaves on the ground than on the trees. 

The oaks and popples are turning.

Soybean fields amber, hay fields cut and green. 

Luke’s old milking shed is falling apart. 

It’s just a storage shed now,

with the old SURGE and AG JOURNAL signs rusting on the wall 

and the little lightning rods standing bravely on the roof. 

Last year, a young man took the bend in the road too fast

and the laws of physics being what they are,

he glanced off a telephone pole and ran into the shed. 

And died. One of the dead

elms has fallen. Now it’s raining, 

and taking pity on the dog, I turn. 

Sumac is mostly red along the east side of the road.

If it were colder, I’d swear it was snowing in the mountains. 

Jim’s VETERANS AGAINST TRUMP flag is up on his porch.

At the far end of her pasture, his old horse Molly crops the grass. 

words VARIATIONS: FOUR WORDS, THREE STANZAS

bear

grace

raven

point(ed)

VARIATIONS: FOUR WORDS, THREE STANZAS

1.

The raven has been flying to and fro 

over the earth. She has returned.

I think it will rain again. 

 

Do you know the meaning of grace?

The word you say before you eat;

the way a dancer walks in her pointed shoes.

 

The bear has been seen again.

We say “the bear” as if there were only one

running through the woods between our houses.

 

2.

It’s enough to make me believe

in Satan’s test of Job.

How much more can they bear?

 

The talking raven will not be silent.

Over and over she says 

“What’s the point? What’s the point?’

 

Like Hecate preceding and following Persephone,

grace precedes and follows us.

The question remains, “When?”

 

3.

Once I found a raven grazed by a car.

I set her in the grass, covered her with leaves.

The next day, in the same place, 

 

a raven circled me three times. 

The acknowledgement was almost more 

than I could bear. And I’ve wondered

 

since if the point was not gratitude but

taunt. “You cached me in the grass,

foul human, but see! I live.” 

 

4.

A raven pair tumbles over the yard

and the dog will not stop barking.

A bear climbs the fence and the dog is silent.

 

Raven is a trickster.

Bear is a god.

Is there a difference.

 

Walk the shore to the farthest point,

the place where sand turns to stone.

There is no limit to grace.

WITHOUT EVENT—A ZUIHITSU AGAIN

WITHOUT EVENT—A ZUIHITSU AGAIN

~with thanks to Ray for showing me the form

1.

Our son sent a photo of our grandson at his pre-school graduation ceremony.  He’s sitting in the backseat of the car wearing a cardboard hat with “2020” painted on in glitter. He looks so happy and proud. I’ve heard there are juniors at the High School here who want to do a drive-in graduation next year, because it is so much more “personal.”

2

I have seen—has the world seen?—the photo of a black grandfather carrying a wounded white racist to safety. ‘I’m protecting our kids,” he said. Take up your cross and follow me.

3.

I don’t have Big Girl Underpants—mine are all the same—so this morning I put on my Big Girl Lipstick and brushed my hair behind my ears and took the dog for a walk again.

4.

In the late 1880s, Gerard Manley Hopkins wrote a poem in honor of St. Alphonsus Rodriguez. This is how it ends: 

. . . . . .while there went/ Those years and years by of world without event/ That in Majorca Alfonso watched the door. 

5.

The prayer beads I carry in the pocket of my jeans are mostly wooden relics of my old Camp Fire Girl days. Four onyx beads. Two pewter suns salvaged from broken earrings. A tiny diary key. And an onyx cross, maybe half an inch long.

6.

Ever since that first Gulf War I’ve had doubts about intercessory prayer. What about all those people who don’t get prayed for except in a generic way (Dear God, bless all the people in the world.)?  I pray in a generic way these days. May all beings be free from suffering. At least that reminds me that I’m not alone, which may be the whole point. 

7.

As I walked this morning, I noticed a tiger swallow-tail fluttering along the roadside, parallel to my path. She seemed to be looking for flowers, which are fairly scarce along that shady stretch. She ignored a patch of spindly buttercups, landed finally on a plant I didn’t recognize, and began feeding on what I would hardly call flowers, just nubs of pale greenish white, hanging in clusters at the ends of the leaves.