OPEN STUDIO POEM #18

OPEN STUDIO POEM #18

 

 

aplomb

solid

chrysanthemum

collage

secluded

 

Under snow, under solid ground,

earth knits a fabric of mycelium,

bulb, the roots of chrysanthemum

and rose.  The February landscape

shapes a shifting collage

of branch and cloud,

a splash of of jay-blue.

We stay secluded, painting

our lives with aplomb.

OPEN STUDIO POEM #17

 

Open Studio Poem #17

disco

lickety-split

splendid

magenta

 

Fairies shelter behind the disco ball

hung in the portal to the kingdom of odd. 

After sunset, they emerge lickety-split,

and all night they dance through the city, 

their magenta wings flashing splendid

in the lights of streets, and traffic, and stars.

 

 

The other occupants of the Open Studio are out to get me, as you can see. But I know where that disco ball hangs, and I know the fairies, too.

OPEN STUDIO POEM #15

OPEN STUDIO POEM #15

leaves

haven

susurration

possibility

 

When the days lengthen,

the cold strengthens

but the light too grows strong—

apricity on a frozen day.

 

Last fall the young oak kept

its leaves. It stood, susurrating

in the shadow of its mother,

collected light feeding the roots.

 

We live these days

in a haven of possibility.

MATTER: A Pantoum

MATTER: A Pantoum

What gods do is make and let the pieces fall.

Billions of clocks on billions of beaches

turning as our hands move however they

move or our four legs or six or eight.

 

Billions of eyes in billions of deserts

move through their times or none and 

we move our two legs or four or six or eight and

our hearts and chloroplasts, mycelium,

 

our many eyes or none.

Our structures crystalize, the plates

and hearts and chloroplasts and mycelium

subduct and bump as we rise and fall.

 

The structure of our crystals, how the plates 

and all we do is an echo of clapping hands as we

subduct and bump and rise and fall.

With voices, silences, wavings of branches

 

we echo with our hands 

and twigs and whatever anemones use

for voices: silences? wavings of branches?

We’re all made of one matter.

 

Twigs and anemones

turn while our hands move however they

move because we’re all the matter

and making matter and falling is what we do.

OPEN STUDIO POEM #13: FOR THE LAST DAY OF 2020

OPEN STUDIO POEM #13

bobble

bauble

clarity

celebration

POEM FOR THE LAST DAY OF 2020

With smiles and nods, thumbs up

and applauses, with bright baubles 

 

of technologies—our new necessities—

we’ve bobbled through this hardest time. 

 

We have more courage than we knew,

our loves are stronger than we thought.

 

Now, let us begin a celebration, now, 

as we tiptoe toward the clarity of light 

 

at the far side of this dark passageway.

We are beginning to know 

 

how tender we are; beginning

to know how gentle we can be.

With thanks to Wanda, Kathy H, David and Kathy C for their words.

MAGI GOING HOME

MAGI, GOING HOME
 

 

 Go home another way, 
 it told us in a dream. 
 Another way?
 

 What would an angel 
 know about ways? 
 We had to sell the camels 
 

 and the slaves. Another way 
 meant bad roads, no roads. 
 We were not accustomed 
 

 to walk, but walk we did 
 till we bought a donkey. 
 It was old and lame.
 

 We rode in turns. We were not 
 accustomed to taking turns, 
 nor to buying food ourselves. 
 

 Now and then we begged,
 and more than once 
 we slept in stables, in the straw—
 

 the only lodgings we could find 
 after we were robbed of everything. 
 But that’s another tale. 
 

CAMP FIRE WOMEN

CAMP FIRE WOMEN

My friend Julie is a Fire Keeper.

Sometimes all night she watches,

holds the flame at the center

of the world. It is her sacred way.

 

And mine? To search the forest,

to gather the wood: This for kindling,

this for tinder, this for cleansing,

this for a long and steady burn.


			

TIGHTROPE

TIGHT ROPE

My ancestors did this, so I can.

I’ve practiced for this all my life—

to be suspended between cliff edges

above a chasm filled with rapids and rocks.

Without a net.

I’ve done the high wire a zillion times. 

It makes no difference

whether there’s a chasm or a sawdust floor. 

The far edge is in sight.

Breathe. 

My thin-slippered feet

move along the cable.

Cloud shadows, a bird shadow.

One foot in front of the other.

Eyes ahead, toward the edge—

where someone is bending

picking at the cable with a little knife

and no one is there to stop him.

Will it hold? Will it hold?

I can not take time to be afraid.

My ancestors did this, so I can.

Breathe. Breathe. Breathe.

One step, one step, one step