Winter Prompt #19: Forget Matilda


Winter Prompt #19

No problem. I never, ever

remember her. Waking at 4 a.m.,

that old fear clutching—I am not

remembering Matilda. Walking

by the sea, filling my pocket

with white pebbles, admiring

the pair of osprey hovering

beyond the tide-line, I do not

think of Matilda. Stretching

my ice-cleats over my boots,

clipping the leash on the dogs’ collar,

following the ways of rabbits

through the snow—no Matilda.

Singing lonesome madrigals,

buying onions and soap,

drinking coffee with my husband,

feeding the cats,

reading to our grandson—

Matilda never enters my mind.

I have long list of sorrows,

but the one thing I do not regret —

I never remember Matilda.

Winter Prompt #15: DOTE

(and then this happened)



Winter Prompt #15

Today, the given word is “dote.”

Perhaps I’ll write about a goat?

Or something I wrote about before?

A Dr. Suessy sort of note?


I will not write about a goat.

I will not write about a stoat

or a note in Dr. Suess’s style.

How about a winter coat?


Is a stoat anything like a weasel?

Do weasels eat oats?

People make winter coats from weasel fur,

but only when it’s white.  In winter.


Maybe weasels eat groats?

This is ridiculous. A kind of compote

of rhyming words on this white page.

Don’t quote me, please.


Compote, compose, compost. . .

Take the mote out of my eye,

and don’t quote me, unless to say,

“It’s all she wrote.”


With the mote removed, I can see!

Do you know that anecdote?

Anyhow, “It’s all she wrote.”

I’ll end this with an antidote.


This needs work.



What is this life if busy as hell

We have no time to sit and smell?

No time to sit beside the bogs

And smell as long as cats or dogs,

No time to scent when fields we pass

Where some one stopped to drag his ass,

No time to find, as though alone,

Where someone chucked a chicken bone,

No time to ponder every track

Of each deer passing onward, back,

To use your nose to best avail

To search the neighbor’s garbage pail,

No time to sit and contemplate

What each and every neighbor ate.

A poor life this, if busy as hell

We have no time to sit and smell.



I wrote this somewhat iffy poem ages ago—a parody of one of my favorite old poems, “Leisure,” by William Henry Davies— when we had an airedale. We have another dog now, and it still applies.



~Prompt–for a book you haven’t written



First of all, I must thank my parents.

Without them, I would be normal,

and this book would not

have been possible.


My husband did not

comment on it, or even read it.

In fact, for the past eight months,

he has been living

in a tent in the woods.

I love you, sweetie.

Words cannot express

my gratitude.


My children are grown

so I thank them for not

getting in my way

(except for two hysterical

phone calls which only

kept me awake nights

for a week or so).


I am grateful to my agent,

despite her claim that

I was the direct cause

of her most recent breakdown.

I am not responsible for everything,

but she is responsible

for finding a home for my work.


All my editors—every single

one of them—have been



The Spring St. Poets

have provided occasionally helpful

feedback and comic relief for years.

Thanks, guys!


It takes a village

to produce a book, so I owe

a great deal to my neighbors

who put up with my midnight

hurdy-gurdy/bagpipe fests

and afternoon target practices,

and only called the police three times.


These poems

are for them.



MP   March 1, 2017

April prompt #34: SUESS INSPIRED

April prompt #34


Kari’s #6

I do not like beets or old goat cheese

on a winter day, in a summer breeze.


I do not wear a pirate hat

or dress my grandson like a cat.


I like to stand out in the rain.

I want to sing about a train.


I think I am a silly goose

for trying to write like Dr. Seuss.

April prompt#28: LIMERICK APOLOGY

april 28 prompt

You have been sent to apologize to a foreign power on behalf of our government.

Do it in a limerick.

Ray’s #4

(Except I cheated and wrote it nearly a week ago while walking in the woods and when I drew another one, I put it back because I wanted this one today  since I have to go to an all-day Tai Chi workshop again and call my mother’s old friend in Norway first.)







Here in this country called US

The system is all in a muss.

The rich guys control it,

Politicians extol it,

‘cept Bernie, who’s making a fuss.

November Writing Challenge # 13-15

. . . because I’ve been thinking about it for a few days. With sincere apologies to the ghost of Samuel Beckett.



Walker: tall & thin … he has salt & pepper hair … he walks, gazing up & away from the road, always … never looking ahead, behind, or down


SCENE:  A road, with a single evergreen tree just to the left of center.  Bigfoot is sitting on the ground under the tree. Walker enters and stands beside Bigfoot.


8767 (cat typing) Bigfoot:  Nothing to be done.

Walker: Oh, well, but perhaps. . . Have you seen her?

Bigfoot:  No. Have you?

Walker: I have not seen her.

Bigfoot: She is not in the sky. I do not believe that she is in the sky.

Walker: The last time I saw her, she was in the sky. It was a sunny day, a shiny day. Five crows flew together across the road, flying in the same direction. North. The wind was from the south.

Bigfoot: What was she doing then?

Walker: With the crows. She was flying with the crows. Her arms were outstretched and her hair was flying like crow wings.

Bigfoot: Will she come back?

Walker: She will come back, so I am watching for her. All the time I’m watching for her.

Bigfoot:  I, too, am watching. Not in the sky. I am not watching in the sky.

Walker:  Are you happy now?

Bigfoot: Now? No. I am unhappy. Since the wind shifted to the south, I have been unhappy. The south wind carries the scent of oranges, and the scent of oranges always makes me cry.

Walker: Ah yes. Oranges. But is there not a scent of lemon?

Bigfoot:  No lemon. Not yet. Not this time of year. I’ve been thinking about killing myself.

Walker:  Will you do that?

Bigfoot:  Perhaps. Perhaps if I do not see her. Or if I do not see the crows. Or if the wind does not change.

Walker:  The crows will return. I am sure of that. Crows always return. Perhaps they will not be the same crows, but they will be crows,, flying hard through the sky. When the wind changes, you will see that there will be crows.

Bigfoot: Then perhaps I can live.  He stands up.

Walker: Will you go on?

Bigfoot: I might stay here. I might go on. Are you going on?

Walker:  Yes. I am going on. It is time for me to go on. The wind is changing.

Bigfoot:  Is it from the north?

Walker:  No. It is not yet from the north. This wind is from the south west. Tonight, maybe tomorrow, the wind will blow from the north.

Bigfoot: I think the smell of oranges is diminishing.

Walker:  Then perhaps you can live.

Bigfoot: Then perhaps I can live.

Walker:  Are you going on then?

Bigfoot:  I think I am not going on. I think I shall stay here. He sits down. I like this tree. There is an essence of life in this tree.  Perhaps if I stay here she will feel encouraged to return. Or the crows will be encouraged. In the meantime, nothing happens but the scent of oranges diminishing.

Walker:  Perhaps you could go on.

Bigfoot: If I go on, will something happen?

Walker:  Your feet will move. That is something.

Bigfoot:  But is that enough?

Walker: I do not know if that is enough for you. For me it is enough.

Bigfoot: It would not be enough for me. I shall stay. Until the wind changes, I shall stay.

Walker:  Do you have an umbrella?

Bigfoot: I do not have an umbrella. Should I have an umbrella?

Walker: Yes. You should have an umbrella if you will stay until the wind changes.

Bigfoot: For what reason?

Walker: When the wind changes, you may open the umbrella and the changed wind will take you somewhere else.

Bigfoot:  Is something happening somewhere else?

Walker:  Sometimes something is happening.

Bigfoot:  I do not have an umbrella. Perhaps I should go along. He stands.

Walker:  We could look for her together.

Bigfoot:  I could look on the ground and between the trees.

Walker: I will continue to look at the sky. I think she will come from the sky. When the crows return.

Bigfoot: When the wind changes.

Walker:  Yes. Shall we go?

Bigfoot:  Yes. Let’s go.


They do not move.


November Writing Challenge #11

. . . going by date, since I certainly haven’t written every day. See what can happen if I get a character?


a poet/professional football player with an eating disorder

a therapist



A therapist’s office—two chairs, a desk

The therapist is sitting behind the desk when the poet enters. There are items on the desk, pencils and so on. During the scene, the therapist periodically picks something up and fiddles with it.


Therapist: Sit down, sit down.

Poet: Thank you. sits

Long silence.

Therapist: So. What do you want to talk about?

Poet:  Food. I mean, food, really. I want to talk about food.

Therapist: Say more.

Poet:  Well, I mean, I like it. I really like it. I eat it all the time. I have to, for work. I mean, I play football, right, so I have to stay bulked up. So I eat. Food. Steaks and chops and all like that. Bread. Donuts. Cake. Hamburgers. Ice cream. My favorite is chocolate but I like cherry and peach and chunky monkey and strawberry and even sherbet. Lemon, orange, lime. That mixture, you know, that’s striped together. You can scoop it out in your bowl so it looks like a rainbow. Salad—not as much salad as I oughta, but some. Just lettuce and tomato is the best with French dressing or blue cheese. Hotdogs but with just mustard, no relish. French Fries. Pie. Apple pie is the best, but rum raisin is pretty good. And date cream. And coconut cream. And banana cream. Pumpkin if it’s not canned. Mincemeat on Thanksgiving, but not with ice cream, and peach. And. . .

Therapist: It seems to me that you talk about food.

Poet:  Right. You’ve got it. Once I start talking about food, I can’t stop. I mean, if I even think about it, right, I start talking about it. Baked beans. Macaroni and cheese. . .

Therapist: interrupting  I see. I see. Your job is football. I recognize you, as a matter of fact, and I’m a fan, but that ought not to affect our work together. Unless, of course, you have a problem with that.

Poet:  I don’t. Really. I mean, everybody who watches football knows who I am, so I’d have trouble finding a therapist who doesn’t know who I am. And even if they don’t watch football, there are those mustard commercials I do. You know where I eat hotdogs like it’s a test of some kind and one is plain, just in a bun, you know one of those soft kind of buns, not the whole wheat ones. Those are weird. If you’re going to eat a hotdog, you shouldn’t bother with whole wheat, unless you’re having a tofu hotdog but those are gross so why bother. And they say that a bunch of them even have meat in them anyway so what’s the point. And one of the hotdogs has relish and mustard and the other has just mustard and I always say in the commercial that I like the one with plain mustard the best, and I do, really. Relish kind of interferes with the taste of the hotdog, but mustard enhances it, if you know what I mean. Especially that red pepper relish. . .

Therapist:  interrupting  I understand that you also write poetry.

Poet:  I do. I kinda like to have that as a sideline, you know. It gives me something to think about when I’m working out. Words. How they go together. LIke hotdog and mustard. Hotdog and mustard. Hotdog and mustard. Hotdog and mustard. . .

Therapist:  I see. So do you write poems about food. . .

Poet: interrupting  I most write about food. I like the way food words go together. Brown bread and butter. Turkey and stuffing. Potatoes and gravy. Pancakes and syrup. Bacon and eggs. Steak and eggs. BLT. That’s one of my favorites. BLT. BLT. BLT. BLT. BLT. ..

Therapist: interrupting  I understand. What is your past experience with food? When you were a child, for instance?

Poet: I liked it. Mom says I was, like, always a good eater. A good little trencherman she said, whatever that means. She used to cut up hotdogs and put them into baked beans and I liked those. And chicken a la king. I like the sound of that, too. A la king. A la king. A la king.

Therapist: I can see that. So you always had enough to eat growing up?

Poet: Oh yeah. Mom was a good cook. Good mac and cheese, good hamburger casserole, good meatloaf. With baked potato and squash, usually and pie for dessert. And peanut butter sandwiches on homemade bread. With honey. Or jam. Or jelly. Or fluff.

Therapist: How long have you had this problem? Talking about food?

Poet: Is it a problem?

Therapist: Is it? I assumed that’s why you came to see me.

Poet: No! Why would that be a problem? No, I came to see you because my girlfriend wants to break up and I’m pretty depressed about that. We’ve been together for, like, five years.

Therapist: What are the reasons she gives for breaking up with you?

Poet: Communication. She says we have a communication problem.

Therapist: And how do you respond to that?

Poet: Well, I tell her that I don’t think we do. We go out all the time for dinner and talk. Chinese food, Mexican, sometimes Thai, but I don’t like that as well, and she doesn’t like Indian as much as I do because it’s too hot for her, even if she only gets the mild. Good old diner food sometimes, you know, hot turkey sandwiches with cranberry sauce and some pickled beets on the side. And sometimes we go out to breakfast. She always gets just yogurt and granola, though, so I don’t see the point. And I like sausage gravy on biscuits. Or sometimes three eggs over easy, or a cheese omelet with white toast. And sometimes. . .

Therapist: What does your girlfriend like to talk about?

Poet: Oh, well, she talks about plants. She grows a lot of plants. African violets and things. Ferns. Those hanging ones with the shiny leaves. Stuff like that. She talks about those all the time. They need water and stuff. Fertilizer. But she doesn’t have a garden outdoors. Just house plants. Nothing she can eat. But she has room, and sometimes I’m like, “Hey, you could like grow spinach and broccoli and lettuce and tomatoes and all like that. Grow your own stuff for BLTs except the bacon part. I really like that combination:  BLT, BLT, BLT . . . .

The therapist slowly gets up and extis, while the poet happily repeats BLT until the curtain comes down