CAMP FIRE WOMEN

CAMP FIRE WOMEN

My friend Julie is a Fire Keeper.

Sometimes all night she watches,

holds the flame at the center

of the world. It is her sacred way.

 

And mine? To search the forest,

to gather the wood: This for kindling,

this for tinder, this for cleansing,

this for a long and steady burn.


			

Open Studio Poem #7

OPEN STUDIO POEM #7

words:  legs   along   fire

 

We go along and along,

our legs aching, shoulders

sore from the burdens

we bear. So many, so

heavy. But the year will

end, this terrible year

will end. It will. We will

build fires on the beaches,

fires on the hilltops,

fires in the deserts,

fires in our own backyards.

We will throw our burdens 

in the fires, throw them down,

throw them down in the fires,

open our arms,

embrace our friends 

We will remember 

how it feels to laugh.

We will remember.

We will. We will.

REPORT: OCTOBER 20, 2020

REPORT:  OCTOBER 20, 2020

Dark clouds over Buck Mountain. 

It will rain.

More sugar-maple leaves on the ground than on the trees. 

The oaks and popples are turning.

Soybean fields amber, hay fields cut and green. 

Luke’s old milking shed is falling apart. 

It’s just a storage shed now,

with the old SURGE and AG JOURNAL signs rusting on the wall 

and the little lightning rods standing bravely on the roof. 

Last year, a young man took the bend in the road too fast

and the laws of physics being what they are,

he glanced off a telephone pole and ran into the shed. 

And died. One of the dead

elms has fallen. Now it’s raining, 

and taking pity on the dog, I turn. 

Sumac is mostly red along the east side of the road.

If it were colder, I’d swear it was snowing in the mountains. 

Jim’s VETERANS AGAINST TRUMP flag is up on his porch.

At the far end of her pasture, his old horse Molly crops the grass. 

ON MY WAY





ON MY WAY


It was all so familiar—the icy road, the falling snow.
The tricycle was bigger than it used to be, less
embarrassing for an adult to ride. It took awhile
to get across the city street, awhile to see
a safe crossing under the glaze of snow.
The other side was fine, and I was on my way.


Home at last, but boxes all over the table.
I opened them one by one, each filled
with plastic things: flutophones,
cheap bath toys, disposable cups and spoons. 
Or tin automatons: monkeys playing drums, 
jumping mice, walking quacking ducks.


Box after box until the house was full.
When I awakened, I laughed at it all.
Not a nightmare, a description.
How full I am, these days, of things
I do not want or need. And how far
must I ride my little trike, in this storm.


words: Open Studio Poem #3

Open Studio Poem #3:  USE THE WHOLE PAGE

The point is growth toward beginning.

Start againnothing flat or square

this time learn to move in three

dimensionscubic, spherical. Can you

write like a dancer? Paint

like an actor? Draw like

a potter? Remember knitting

how to turn a heel, shape

a sleeve from a strand.

DO THAT WITH WORDS.

USE THE WHOLE PAGE.

FILL IT WITH SHAPE AND

COLOR AND SOUND AND FLAVOR

BITTER GREENS AND HOT PEPPERS

AND LEMON ZEST.  WRITE 

BIG AND ROUND.

USE THE WHOLE PAGE

words: Open Studio Poem #4

OPEN STUDIO POEM #4

final   granite  light  synchronize

Rilke said, “No feeling is final.”

Not even granite is permanent—

it crumbles and weathers into parts.

And isn’t it a fine thing

that nothing stays the same?

Time is after all unsynchronized space,

shifting into shapes that cannot last.

Therefore, do not fret.

Keep your touch light,

or maybe don’t touch at all. 

Simply breathe.

words: Three Bold Attempts

WORDS:  THREE BOLD ATTEMPTS


cricket   illustrate  tone   pearl    snap    quilt

THE GAME

Last summer, I studied cricket.
Not the insects in August, 
their crispy vibrations
adding tone to the fading garden,
but the sport. I like the langauge. 


Let me illustrate:
Overs (six balls per), Stumps
and Maidens and Leg Before Wicket.
Innings, not as in baseball,
is both singular and plural.
That’s tea. That’s drinks. 
Declaring before All Out.
Sixes and fours and centuries. 
Ducks and Golden Ducks. 
Silly mid-on. Test (the best)
and ODI. Howzzat? 


I followed the World Cup 
in the Guardian online.
They did OBO coverage. 
England won, to their surprise.


I want to see a game someday, 
a whole five-day test. 
I want to hear the snap of leather on willow. 
I’ll bring a quilted vest and a thermos.
I’ll wear a ridiculous hat, and pearls.
I’ll wait for an umpire to Offer the Light,






Met Stars Live in Concert: Lise Davidsen


The summer palace in Oslo.
The Queen in residence,
a conversation on the terrace. 
No birds, no crickets singing.
The dining room in the palace:
candles in the windows, 
late sun through the windows,
green leaves outside the windows. 
Paintings on the walls—illustrations of green.
No furniture but the black piano.
The pianist wore striped socks. 
The soprano wore a green gown, 
no diamonds, no pearls.
A silent audience on screens.
No applause.
The studio in New York. Monitors and clocks.
Christine Goerke’s sad and gracious tone: 
A difficult time for singers and thank you.
The program a carefully stitched quilt:
Wagner and Norway’s Grieg, and Strauss,
the snap of Kalman’s “Heia, Heia!” 
The peace of Ronald’s “O Lovely night.”




Zuihitsu for the end of a terrible summer


1.
Crickets drone away in the dark. I used to love them. This year, I find their rasping cricks most annoying.


2.
Last night I watched a moon like a yellow pearl  poke through a torn quilt of cloud and leaf.


3.
My voice has taken on a querulous tone. I can’t help it. I am possessed by a tired and hot and hungry and frustrated three-year-old child. 


4.
The purple snap beans I grew do not snap. They are blotchy and stringy and not particularly flavorful. The purple blossoms, however, are lovely, and hummingbirds feed from them, so growing them was not a total waste of water and space.


5.
The tone of this zuihitsu illustrates the way I have felt about this summer. A few times only, I have glimpsed something lovely, far away, and still.